Skip to main content

One Damn Moment from the 1930s



The year was 1939, and many lists and books on film history were greatly changed by “Gone with the Wind.”
It sold more tickets and made more money than any other film of its day, destroying the previous figures really.

AFI placed the Rhett Butler/Clark Cable “Frankly my dear, I don’t give a damn” as the number one greatest line in all of cinema (or some other award of that nature and similar phrasing).

“Frankly my dear, I don’t give a damn.”

If you haven’t seen “Gone with the Wind,” I will try not to ruin the ending. However, when I first saw it on the list as number one, I was shocked. It didn’t seem great or exceptional to me in anyway. I had the literal look on my face of a “SO WHAT” expression. It honestly meant nothing to me.

Then, one night earlier this year, I couldn’t get to sleep, and suddenly, I was metaphorically awakened by the gravity of it.

A man spends years and years chasing this woman, investing countless endeavors, only to obtain her…to have her, and to not only fall out of love with her, but to completely lose all interest and respect. As they said on “Desperate Housewives,” the opposite of love isn’t hate. It’s indifference.

That’s some tragic shit.
(Glad I'm not her.)
Maybe that's why everyone is so big on this.

I also had to realize that the only reason I never say any meaning in it earlier was because I'm used too used to being rejected (unless it's from black women on Facebook chat....that I do rather well).


Okay, this one can stay at number one.

QATFYG:
What is your favorite movie quote?
Most of mine are honestly from “Die Hard” One.

PS: There will be plenty more posts on the 1930s this week. More importantly, this kinda made me laugh.

Comments

  1. you could have been her sister! EVERYONE LOVED HER SISTER!

    ReplyDelete

Post a Comment

Popular posts from this blog

Give JR a Break

Recently, I've been reading some sites that have criticized James Roday, the lead actor on the USA show PSYCH for an apparent weight gain. But you know what? Who gives a flying fizzle stick if James Roday is slightly larger than he was 4 years ago. Apparently, it wasn't enough to scare away his current girlfriend/ co-star Maggie Lawson. (Who is one hell of a Catch!) And NO they are not engaged. That seems to be nothing more than a rumor, but there is a very high chance of it happening in the near future. Anyway, as long as PSYCH continues to entertain I don't mind about James Roday's waist. He, and Dule Hill, and Corbin Bernson too, can eat all the fried broccoli they want. The last episode of PSYCH wasn't so smashing, but I don't blame it on dietary issues. QATFYG: Are you keeping up with Psych? And who is hotter, James Roday or Maggie Lawson? (Trick Question but idk why) PS: If you have heard any more news on Roday and Lawson becoming Roday-Lawson, send it

"Mon Soleil" - Ashley Park

If there's anything people take away from my piss-poor legacy, I hope it's what a huge, unabashed fan of "Emily in Paris" I am and will continue to be. People love "90 Day Fiancee," "The Bachelor," and other garbage - allow me "Emily," which is at least harmless, kind of goofy fluff (which does, unfortunately, lean into some stereotypes, as the country of Ukraine knows ). I have already watched Season 2 twice. And honestly my favorite part of this show (despite my crush on Camille Razart and Lily Collins channeling Audrey Hepburn hardcore ) is Ashley Park. This woman has superstar written all over her. She's a bona fide Broadway star, and "Emily in Paris" has served as her pivot into the zeitgeist.  "Emily in Paris" is also showcasing her vocal prowess front and center this season, with her covering BTS, "All By Myself," "Sympathtique," and Marilyn Monroe. But the real standout performance is th

No Time to Fuck: The Goldfrapp Essay

Konnichiwa! This is Irina Cummings and I'm here to discuss one of the most brilliant, innovative, and creative artists in the entire history of mankind: Goldfrapp – or as I like to call them , GODfrapp – the fantastique, highly inspirational, and sometimes criminally overlooked electronic music duo from London consisting of Alison Goldfrapp and Will Gregory, whose godly music has certainly influenced the vast majority of today's synthpop ladies, including Lady Gaga, Little Boots, La Roux, Annie and Florence + the Machine (not electro but still worth your while). They're primarily known for their mind-blowing music (which have spanned pretty much every style of electronic music – and some non-electronic as well), their abstract, sexually ambiguous – at times forthright – lyrics which are often not gender- specific , and their elaborate shows, not to mention the amazing visual aesthetics of their work, conjuring images that masterly complement