Skip to main content

One year without Amy Winehouse

Yesterday, July 23rd, marked the first anniversary of the death of the incredibly talented Amy Winehouse.


I can't believe it's been a year already, it seems like only yesterday I was awaked to such devastating news. Even though it was already expected by many (including myself), I was still deeply shocked and heartbroken, I simply refused to accept that it was true.

I recall becoming a fan back in 2007 (I was a massive fan of soul, jazz and everything in between). I was not only drawn to her impressive soulful voice, her instinctive musicianship and her unique sense of style, but also to the raw openness of her lyrics. She was completely unafraid to expose her pain, her vulnerability, her darkest feelings, but she did so in a way that sounded candid and relatable, not sappy or clichéd like many artists. I cannot tell you how many times I found comfort in songs like "Tears Dry On Their Own", "Take The Box" and "He Can Only Hold Her".


Following all those highly publicized struggles (drugs, alcohol, an abusive relationship), Amy retreated to the Caribbean island of Saint Lucia in 2009, and she seemed to be recovering just fine – she even had new material for a third album that was reportedly going to be released the following year. Unfortunately though, Amy was faced with a few adversities instead, such as being booed off the stage in Belgrade for being apparently too drunk to perform. Her last recording was "Body and Soul", a duet with Tony Bennett for his album Duets II, released two months after her death last year.

I can't bear to imagine the pain she was going through. In "Rehab", Amy accounts, "I don't ever wanna drink again/I just need a friend". This particular line just tears me apart. Was that all she needed – a friend?


It's certain to say that Amy left her mark on music history, paving the way for countless British (and non-British) female artists, most of which I love. Let's all remember her for who she was: an extraordinary talent and a beautiful human being.

I'll now leave you guys with one of my favorite Amy Winehouse songs, taken from her debut album Frank (2003). I thought it would be nice to wrap up this post with a song that wasn't sad.


Rest in peace, angel. What's inside you never dies.

Comments

Post a Comment

Popular posts from this blog

Give JR a Break

Recently, I've been reading some sites that have criticized James Roday, the lead actor on the USA show PSYCH for an apparent weight gain. But you know what? Who gives a flying fizzle stick if James Roday is slightly larger than he was 4 years ago. Apparently, it wasn't enough to scare away his current girlfriend/ co-star Maggie Lawson. (Who is one hell of a Catch!) And NO they are not engaged. That seems to be nothing more than a rumor, but there is a very high chance of it happening in the near future. Anyway, as long as PSYCH continues to entertain I don't mind about James Roday's waist. He, and Dule Hill, and Corbin Bernson too, can eat all the fried broccoli they want. The last episode of PSYCH wasn't so smashing, but I don't blame it on dietary issues. QATFYG: Are you keeping up with Psych? And who is hotter, James Roday or Maggie Lawson? (Trick Question but idk why) PS: If you have heard any more news on Roday and Lawson becoming Roday-Lawson, send it

No Time to Fuck: The Goldfrapp Essay

Konnichiwa! This is Irina Cummings and I'm here to discuss one of the most brilliant, innovative, and creative artists in the entire history of mankind: Goldfrapp – or as I like to call them , GODfrapp – the fantastique, highly inspirational, and sometimes criminally overlooked electronic music duo from London consisting of Alison Goldfrapp and Will Gregory, whose godly music has certainly influenced the vast majority of today's synthpop ladies, including Lady Gaga, Little Boots, La Roux, Annie and Florence + the Machine (not electro but still worth your while). They're primarily known for their mind-blowing music (which have spanned pretty much every style of electronic music – and some non-electronic as well), their abstract, sexually ambiguous – at times forthright – lyrics which are often not gender- specific , and their elaborate shows, not to mention the amazing visual aesthetics of their work, conjuring images that masterly complement

An Open Letter to the Actress: Milena Govich

Dear Milena Govich, Hey, how are you? What is up? Well, I assume you might get 5-7 fan letters a week, but I hope the glitter on my envelope stood out to you. In all seriousness, I have not been the most loyal fan of your filmography, but in the opening credits of the 2006 show, “Conviction,” I got to see you in your underwear. Ever since then, I have been one of your most active online stalkers (not a crime in all states I think). In the next letter, I promise to include an underwear photo for you, so we'll be even. Milena, I remember even back to the days when you worked on one of those other 200 Dick Wolf projects you did...what was the name of that show? “Law and Order.” Yes, that was it. You made history as playing the first female lead detective on the “Law and Order” original franchise for your role as Detective Cassidy. However, I will have to note your performance was strongly tainted when Chevy Chase guest-starred and gave you the nickname, “Detective Sugar-Tits.” At leas