Skip to main content

A Covert Oh Land Concert Review!


My friend Alyssa recently saw my old love Oh Land during her residency in New York. I wish I could have been there, as tickets were cheap, but I live far away.

Alyssa (and others) had rave reviews about the shows. Here is a brief Facebook chat discussing Alyssa's specific experience:


so how was the venue

i've been to rockwood several times. it's a great spot, as far as space and design. very intimate. drink prices are pretty typical for the lower east side - not completely ridiculous, and sound quality is great. my only complaint about the venue is that i've often experienced a really obnoxious crowd.

was this crowd obnoxious?

for the most part, everyone there was definitely there excited to see oh land, but per my usual experience, there were a few girls who talked obnoxiously loud throughout the whole show.

how was the opener
and then how was oh land and feel free to use every word in the english language

there was no opener. just nanna and her boys. the show was really, really great. i was really impressed by her live performance. she was funny (and charming) as hell, and all in all she really exceeded my expectations. she is ridiculously attractive, and endearing, and all that jazz, and is definitely talented. oh, and she had some friends playing brass that really made the show. think: a more attractive and more upbeat lana del rey that actually delivers live. she definitely lives up to her recent hype.

i'm jealous dude
she's amazinggggggggg

it was really incredible.
best track of the night for me? wolf and i. TORE IT UP. banging on her drum, her voice, the band. gah.
she's got a few more scheduled. definitely going again.


she also played a lot of songs that are unreleased. and i liked that. a lot.

is she doing a new album soon
do we know

she kind of giggled about that, how she was hoping to get songs recorded and wished she could say it'd be next week, but that she probably won't have anything out in the immediate future.

dammit nanna




Popular posts from this blog

3 New Lana Songs Come Out From Upcoming Album "Blue Banisters"

Not even that far off from "Chemtrails Over The Country Club" being released this past March, Lana Del Rey dropped three new singles off her upcoming project, "Blue Banisters." They include the title track, "Text Book," and "Wildflower Wildfire." All three songs seem to merge the worlds of "COCC" with "Norman Fucking Rockwell," specifically Lana's mouthful of a track "Hope is a Dangerous Thing for a Woman Like Me To Have But I Have It." They also seem uncharacteristically more confessional than most of Lana's catalog to date, specifically "Wildflower Wildfire," which alludes to a conflict with her mother. She even starts the track with "Here's the deal," readying to show more of her backstory than she ever has in her decade-plus-long career. The three songs are gorgeous - especially "Text Book," which has a haunting quality to it (she mentions "Black Lives Matter" i

"Anchors" - AM Higgins

Here's a nice breezy, almost sensual song from AM Higgins (the solo project of musician Annie Toth) to start your Tuesday off right.  Her debut album "Hymning" will be out November 5th on Victorialand Records. The album was mixed by Casey Foubert, a frequent collaborator of Sufjan Stevens. The album "captures the first years of moving from an American city to rural France." Sounds like "Hymning" will be a welcome escape from the world we live in right now, especially considering that Annie Toth counts poets Mary Oliver and Thomas Merton as influences.

You Need to Hear This: Concrete Castles

I first heard of First to Eleven a few years ago thanks to the powers of social media. They are a talented young band straight out of my hometown (Erie, PA). Since I've first heard of them, First To Eleven - which primarily were a social media-based cover band - has revealed an original music incarnation, Concrete Castles.  No matter if they're covering songs or releasing their own music, one thing is evident: Concrete Castles is MASSIVELY talented. Anchored by Audra Miller's powerhouse vocals that are vaguely reminiscent of Hayley Williams, Concrete Castles demand your attention. Although they can fall in that sort of amorphous "indie pop" umbrella, I don't think their sound would be amiss on mainstream radio - top 40 or alternative.  "Wish I Missed U" - their debut album - came out earlier this September, and it's an enjoyable, invigorating listen that would probably make those who were raised on emo or fans of CHVRCHES feel at home. Hell, Anth