Skip to main content

An Interview With Sondre Lerche

It's been since 2014 since I actually interviewed anyone for The Useless Critic (remember Taylor Swift? Yes I think about that often!) but, with his new album "Pleasure" en route for a 2017 release, Sondre Lerche seemed a prime candidate for getting back into the game.

So here, for the holidays and an upcoming new year, I offer you a few questions with Sondre Lerche on his new album, his previous work, and what it's like to be a Norwegian in America right now.

At the end of dis interview, I've curated several of my favorite songs of Sondre's. Enjoy!




UC: What inspired "I'm Always Watching Too?" Was it partially because our culture enables "stalking" at the moment? (like, social media obsessiveness.)
SL: I suppose so. The desire to feel close to someone without their knowledge has always been there, but social media, and our willingness to share our whereabouts, our activities and friends online, enable us to spy on each other. Which, most of the time is harmless and fun, but in the case of this song, pathetic and desperate. In my mind, the song tells the story of someone who has turned down something real, but still can't move on, and settles for watching the lover he rejected online. The predecessor, "I'm Always Watching You," has a twist that gives him some hope - the idea that she might be watching him too. And that's the theme that "I'm Always Watching You Too" indulges, in a dreamlike state.
UC: The sound for "Pleasure" seems like it's going to differ a bit from 2014's "Please." Am I wrong in that assumption? What inspired the change?
SL: It's hard for me to say. I've always felt it's a natural development from "Please" in terms of sound and themes. Because it all feels very natural too me. So there's plenty of songs that I feel could've fit on either record, sonically, but they ended up on "Pleasure" for thematic reasons. And now that I've fully indulged that phase, I am ready to share those songs.
UC: Of all your albums you've put out - and you've put out many! - which would you say is most memorable to you or your favorite?
SL: Well, "Please" was very special to me - both the process of writing and recording it, and sharing it with people. It warmed me that so many people loved it and accepted it. That album had a lot of energy to it. So for me it'll always represent a key moment.
UC: What can people expect from "Pleasure" that hasn't been present on your past record?
SL: It's a very bombastic, explosive record, all the way through. I wanted to avoid too much subtlety, and keep it sort of primal. Even when it's very confused, you can still dance to it. It's a way of coping, I suppose. It's fun and confused.
UC: Finally, I have to ask, what is it like to be a Norwegian in America right now?
SL: Oh man, I feel for you guys. The day after Election Day was like nothing else. I mean, I still have little moments when I realize that you guys actually elected Donald Trump for President. And I can't believe it went that far. So I can only imagine what it feels like to the majority that voted for the other candidate. Or to the minorities who suffer daily from the normalization of racism and homophobia and so forth that he has unleashed. Or those who didn't vote, but could've. Or those who already realize the were hurting so much they were tricked into thinking Trump cares about their lives. I left the country for work couple days after the Election, and it felt like a relief. And I realized there's a lot of scary political forces at work in Norway also, and they've been taking notes from Trump's rhetorical victory in the U.S., so there's work, and soul searching, to be done all over the world, to stop these characters from becoming so powerful.
UC: Thank you Sondre! I am almost a lifelong fan. (I didn't say actually lifelong because I haven't liked anything for all 29 years I've been alive so that would be misleading.)
SL: It is my pleasure, Britt. 
Britt's Five Best Sondre Lerche Songs (Handcrafted and Artisanal)
"To Be Surprised"

"Lucky Guy"

"If Only"

"My Hands Are Shaking" (Live)

"Two Way Monologue"

Comments

Popular posts from this blog

Give JR a Break

Recently, I've been reading some sites that have criticized James Roday, the lead actor on the USA show PSYCH for an apparent weight gain. But you know what? Who gives a flying fizzle stick if James Roday is slightly larger than he was 4 years ago. Apparently, it wasn't enough to scare away his current girlfriend/ co-star Maggie Lawson. (Who is one hell of a Catch!) And NO they are not engaged. That seems to be nothing more than a rumor, but there is a very high chance of it happening in the near future. Anyway, as long as PSYCH continues to entertain I don't mind about James Roday's waist. He, and Dule Hill, and Corbin Bernson too, can eat all the fried broccoli they want. The last episode of PSYCH wasn't so smashing, but I don't blame it on dietary issues. QATFYG: Are you keeping up with Psych? And who is hotter, James Roday or Maggie Lawson? (Trick Question but idk why) PS: If you have heard any more news on Roday and Lawson becoming Roday-Lawson, send it

No Time to Fuck: The Goldfrapp Essay

Konnichiwa! This is Irina Cummings and I'm here to discuss one of the most brilliant, innovative, and creative artists in the entire history of mankind: Goldfrapp – or as I like to call them , GODfrapp – the fantastique, highly inspirational, and sometimes criminally overlooked electronic music duo from London consisting of Alison Goldfrapp and Will Gregory, whose godly music has certainly influenced the vast majority of today's synthpop ladies, including Lady Gaga, Little Boots, La Roux, Annie and Florence + the Machine (not electro but still worth your while). They're primarily known for their mind-blowing music (which have spanned pretty much every style of electronic music – and some non-electronic as well), their abstract, sexually ambiguous – at times forthright – lyrics which are often not gender- specific , and their elaborate shows, not to mention the amazing visual aesthetics of their work, conjuring images that masterly complement

An Open Letter to the Actress: Milena Govich

Dear Milena Govich, Hey, how are you? What is up? Well, I assume you might get 5-7 fan letters a week, but I hope the glitter on my envelope stood out to you. In all seriousness, I have not been the most loyal fan of your filmography, but in the opening credits of the 2006 show, “Conviction,” I got to see you in your underwear. Ever since then, I have been one of your most active online stalkers (not a crime in all states I think). In the next letter, I promise to include an underwear photo for you, so we'll be even. Milena, I remember even back to the days when you worked on one of those other 200 Dick Wolf projects you did...what was the name of that show? “Law and Order.” Yes, that was it. You made history as playing the first female lead detective on the “Law and Order” original franchise for your role as Detective Cassidy. However, I will have to note your performance was strongly tainted when Chevy Chase guest-starred and gave you the nickname, “Detective Sugar-Tits.” At leas