Skip to main content

You Need To Hear This: "The Changing Wilderness" by Will Stratton

Just released yesterday, Will Stratton's newest album "The Changing Wilderness" is the first cohesively excellent album for me from this year so far. It's pensive, somewhat melancholy, stripped down - but beautiful in a way that makes it hard to forget. Although Stratton describes himself as a "disciple of Nick Drake," I found that his seventh album called to mind the very best of Iron & Wine. 


"The Changing Wilderness" may have had its debut in May, but it sounds like it might be better suited for the cooler air of autumn than the hopefulness of spring. Stratton is a singer-songwriter who, in the past, has thrived more off introspection than attempting to commune with the macro world outside himself. In "The Changing Wilderness," he set out to deviate from that pattern. No where in the stark 40 minutes the album lasts is this more apparent than "Infertile Air," which imagines the guilty conscious of an ICE agent. 

But introspection still finds a way to creep in from song to song - after all, isn't the world outside ourselves some reflection of the world inside ourselves? A personal favorite off the album for me was "When I've Been Born (I'll Love You)" - a song which anyone who has loved can see themselves in. But even in that gem, the world we live in drops by for a quick visit. "If the fascists win, I'll love you," he sings here. Stratton reflected on his songwriting process for "The Changing Wilderness," "Over the past four years as the world around us got progressively more screwed up, it became impossible for me to write something that wasn't somewhat introspective."

My only real critique of "The Changing Wilderness" is it's an all too ephemeral experience - each song bleeds seamlessly into the next, and when it stops it feels a bit too abrupt. But it's an absolutely gorgeous and haunting album for an accomplished artist, who is extremely worthy of your time and attention.

Rating: A+, probably will end up on my year-end list if I actually do one this year 

Comments

Post a Comment

Popular posts from this blog

Give JR a Break

Recently, I've been reading some sites that have criticized James Roday, the lead actor on the USA show PSYCH for an apparent weight gain. But you know what? Who gives a flying fizzle stick if James Roday is slightly larger than he was 4 years ago. Apparently, it wasn't enough to scare away his current girlfriend/ co-star Maggie Lawson. (Who is one hell of a Catch!) And NO they are not engaged. That seems to be nothing more than a rumor, but there is a very high chance of it happening in the near future. Anyway, as long as PSYCH continues to entertain I don't mind about James Roday's waist. He, and Dule Hill, and Corbin Bernson too, can eat all the fried broccoli they want. The last episode of PSYCH wasn't so smashing, but I don't blame it on dietary issues. QATFYG: Are you keeping up with Psych? And who is hotter, James Roday or Maggie Lawson? (Trick Question but idk why) PS: If you have heard any more news on Roday and Lawson becoming Roday-Lawson, send it

No Time to Fuck: The Goldfrapp Essay

Konnichiwa! This is Irina Cummings and I'm here to discuss one of the most brilliant, innovative, and creative artists in the entire history of mankind: Goldfrapp – or as I like to call them , GODfrapp – the fantastique, highly inspirational, and sometimes criminally overlooked electronic music duo from London consisting of Alison Goldfrapp and Will Gregory, whose godly music has certainly influenced the vast majority of today's synthpop ladies, including Lady Gaga, Little Boots, La Roux, Annie and Florence + the Machine (not electro but still worth your while). They're primarily known for their mind-blowing music (which have spanned pretty much every style of electronic music – and some non-electronic as well), their abstract, sexually ambiguous – at times forthright – lyrics which are often not gender- specific , and their elaborate shows, not to mention the amazing visual aesthetics of their work, conjuring images that masterly complement

An Open Letter to the Actress: Milena Govich

Dear Milena Govich, Hey, how are you? What is up? Well, I assume you might get 5-7 fan letters a week, but I hope the glitter on my envelope stood out to you. In all seriousness, I have not been the most loyal fan of your filmography, but in the opening credits of the 2006 show, “Conviction,” I got to see you in your underwear. Ever since then, I have been one of your most active online stalkers (not a crime in all states I think). In the next letter, I promise to include an underwear photo for you, so we'll be even. Milena, I remember even back to the days when you worked on one of those other 200 Dick Wolf projects you did...what was the name of that show? “Law and Order.” Yes, that was it. You made history as playing the first female lead detective on the “Law and Order” original franchise for your role as Detective Cassidy. However, I will have to note your performance was strongly tainted when Chevy Chase guest-starred and gave you the nickname, “Detective Sugar-Tits.” At leas